nice price deal !!! featuring the voice of noni on >divine inspiration< and bernard san juans guitar on >giannis love<.

nice price deal !!! magic pop hotel invites you on a luminous voyage through the vegetal dreamscape of >flowers<, the first single from the album. floating somewhere between pop and trip-hop, magic pop hotel reaches through mysterious atmospheres and creeping climates, spinning with freedom. on this record, the poetic universe of magic pop hotel is explored by the artists the micronauts, junesex, and betsyapolis. each remix takes hold of the nebulous center of the song and extends it in a different direction. with the micronauts remix, christophe monier pours his neo-80s space disco honey all over the dance floor. an intoxicating sound serum that will have bees swarming to the club for eternal youth. the junesex remix draws on the trip hop inspiration of magic pop hotel to grow heavy dub blossoms through the cracks in the concrete. the vibrations dig deep into the most fertile emotions. the betsyapolis remix plucks a sweet, ripe fruit and spins it fresh and juicy, playing with the airy pop goodness of >flowers<

der irische produzent und dj space dimension controller - bekannt von veröffentlichungen auf r&s, clone oder royal oak - veröffentlicht ende juli sein albumprojekt “orange melamine” auf ninja tune. darauf enthalten sind produktionen, die er 2008 im alter von gerade 18 jahren in seinem schlafzimmer in belfast bastelte. knackig, zerstreut und angenehm merkwürdig - “orange melamine” ist ein mit viel liebe produziertes und sehr persönliches album, das übernatürliche sounds und durchscheinende synthies mit einem gefühl von überquellender harmonie verwebt. das album bezieht seine inspiration aus alten vhs-tapes, die er von seinen brüdern und cousins bekam, sowie von künstlern wie boards of canada, brian eno oder william basinski. das album ist außerdem reich an audio- und filmreferenzen aus sci-fi filmen und animationen aus den 80er und 90er jahren. die palette reicht von streifen wie the guyver, short circuit, the gobots und ghostbusters bis hin zu the fifth element, escape from new york oder den power rangers. das doppel-vinyl erscheint im klappcover inklusive downloadcode.

d.ko records presents his fourth various artists, in this e.p d.ko reveals new comers on the electronic scene from the new generation of djs and producer as rag dabons gabriel from paris, nature rythm from tokyo but also more confirmed producer asparisian artist janeret. this ep delivers 4 tracks full of deep inspiration, jungle beats and house vibe.

new interplanetary melodies is a series of phonographic editions committed to free experimental music: it tells about vibes floating over time and space, hybrid energies through harmonies and contrasts, concrete forces and metaphysical resonances, earthly and otherworldly origins of inspiration, organic feelings and abstract dreams, ancestral echoes and futuristic outlooks, sonic symbolism painting sceneries in human spirits, a ritual meaning of creating and relishing music ...
the sound radiation can take to other possible dimensions, to most recondite places of mind and soul, or very far away across stellar directions.
how the sound impressed on analogue substance in past times is able to render vibes from the future is well explained by the instinctive recordings of mayo soulomon in this first issue of new interplanetary melodies.

alma negra is a swiss collective that consists of four musically driven friends, the figuiera brothers dersu & diego whose roots are established firmly in their cape verdian heritage, dario with his half and half portuguese/italian mix and finally mario with spanish roots. they are all passionate diggers who love playing music from all over the world, something that s evident in their productions as well. encompassing jazz, african and latin sounds to soul, funk, disco, house and even techno. as far as inspiration goes they mention donald byrd, fela kuti and theo parrish. their creative output has led them to release on such fine labels as sofrito, highlife and most recently basic fingers. fans of alma negra includes gilles peterson, ben ufo, axel boman, dam swindle, africaine 808 and tim sweeney. now they are back with digger s workout, a fresh and exciting instalment in the basic fingers catalogue - divided into three seperate 12 s with remixes from esa & santuri, osunlade aka yoruba soul, rainer trueby & corrado bucci present truccy. digger s workouts, part 1 contains three original cuts and one remix from esa & santuri with spectacular basswork worthy of funkadelic. if you re looking for rattling percussions, irresistible basslines, melodic synths and vocal chants that interweave and do a delicious dance with each other - look no further. this first part of the series is a sure-fire way to send anyone into a near shamanic state. .

having been on something of a hiatus following the birth of his kids, milton jackson is back and in best form ever on songs without words. his most recent releases have been on uk label tsuba and is responsible for remixes for recloose on planet e, al kent, and m a n i k. kito jempere debuted on freerange in 2013 but quickly got soon after got snapped up for ep s on dirt crew, let s play house and most recently room with a view. he also owns and manegs the fata morgana label from his base in saint petersburg. pittsburgh track authority are the genre bending trio releasing some of the finest house and techno from the east coast of the us on their own label in the machine age as well as esteemed imprints such as azuri, argot and finale sessions. kuniyuki is something of a japanese enigma, staying resolutely below the radar despite being heralded by many (including derrick may) as a major inspiration. the multi-instrumentalist has collaborated with henrik schwarz, vakula, dj nature and jimpster and has released on mule and sound of speed and remixed dj sprinkles, joe clausell and ananda project.

sing with me: much in the same vein of the mannheim house sound made popular by artists like johnny d, nick curly, christian burkhardt etc. bretts gives us a deep but driving track centered around an african boy singing. brett chops the sample up to create a choir of ethereal voices to support the boys singing. as the track progresses it takes a left turn into weirdville through some dramatic synth tweaks & sweeps. this track is perfect for anyone who likes to dance standing up, with their head down and first firmly in the air. speaking japanese: many people will tell you learning to speak japanese is one of the most difficult languages to learn, and theyre right. lucky for you, brett has done all the work by translating his message into sound. the core inspiration for this track is based on a sample from a song by get physical owner and artist mandy. they were kind enough to let brett use the sample and run wild with it. the result is 8 minutes and 12 seconds of over driven 909s, rolling bass lines and a pad so thick you need a fork to eat it. all of this keeps the calm while frantic chatter and out of this world fxs take you to a japanese after party somewhere in shibuya.

time has come: asymptote duo, owner of the label, makes its debut with its first ever release. sav004, behind the scene ep, is the result of a driving combination between old and new school elements, aimed at the big floor. a side, is darker and deeper, made by two acid and atmospheric techno cuts: behind the scene and chain reaction . on the b side, the traveller is a minimalistic techno trip, with millsian reminiscences. plastic city instead, with its essential sonorities, draws inspiration by the old detroit school, trying to evolve it and go well beyond. past and future create the present

fifty first recordings was created in 1994 out of a small but very productive studio in london called state 51 using the down time and the very talented engineers who had been brought together for state 51 s existing clients. state 51 was the go to studio for the likes of x-press 2, sharp, amalgamation of soundz. the engineers we worked with included mark woolford, james brown, james reynolds & mark yardley. fifty first recordings soon found a name for itself and was very quickly at the forefront of the new generation of uk garage music. we produced and released music in the 90s, for over 7 years, with the likes of tuff jam etc. and later went to develop other imprints such as konnect / test press / unda vybe / spread love / tick etc., some in partnership with producers and managed artists.

new emmanuel top label. lost in berlin is a mechanical angry monster with multiple arms that swings around for destruction. it’s unstoppable for words, you have to accept the fact that you have been hit by a concrete wall. what i love in records is the menace inside it that builds up. the impossible energy that drags you in to this tunnel of a white dimension with grey electric colors. bipolaire: it all starts with a kick, not a simple kick but a et kick and before you know it you are struck by lightning. the subs are playing with you, simple but again with atomic temperature. the acid sound that hits you is never going to surrender his inferior temper. capture: only that words remind me of the spirit capture and it’s not easy make an equivalent of the original that is not even made with the inspiration of the mod wheel. it’s not just a wicked intro that can take you to different roads. you can decide what way you will take but be careful with what comes next.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denite’s sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the album’s innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities.

the new label la pince records created by the parisian trio dub creators aka dj d2b / steve ko / lucho misterhands is happy to announce you in preview the exit release - mongolistic ep -. for this first ep, dj d2b deliver to us 3 unique et exclusive directed pieces house / techno with a influence minimal. along with beats & vocals of shaman inspiration, hypnotic melodies with sensual tones, -which promise you a nice trip into the clouds-.

jetzt auch endlich auf vinyl! 77 rusty trombones- ist das letzte studioalbum des im januar diesen jahres verstorbenen musikers, rappers, songwriters und produzenten blowfly! der aus miami operierende clarence reid aka blowfly konnte auf eine über 50-jährige karriere zurückblicken und gilt für viele soul-/funk- und vor allem hip hop-künstler als wichtige inspiration. in den 60er und 70er jahren arbeitete reid als produzent und songwriter für u.a. betty wright, sam & dave, gwen mccrae, bobby byrd und kc and the sunshine band. 1971 erschien sein erstes album unter dem pseudonym blowfly. das album the weird world of blowfly zeigt reid als maskierten superhelden auf dem cover, und er nahm anschließend weitere alben unter dem alter ego blowfly auf. seine dirty lyrics waren bereits in den 70er jahren ihrer zeit weit voraus, und sein track rapp dirty (auch bekannt als blowfly s rap) verhalf dem album blowfly s party 1980 sogar zu einer chartplatzierung in den usa. seine songs wurden von hip hop- und r&b-künstlern, darunter größen wie wu tang clan, dj shadow, eazy-e, method man & redman, rjd2, jurassic 5, beyonce, brand nubian oder mary j blidge, gesampelt. künstler wie ice-t, red hot chili peppers, flying lotus, run the jewels, dj quik bis hin zu den Ärzten zollten blowfly respekt. r.i.p. blowfly!

this multi-talented north carolina native makes his debut after having been a consistent source of inspiration with the freshness of his perspective, and sonic tapestry. it is unchained, fluid, and free, like everything on deepblak.

for their latest slice of saucer-eyed balearic perfection, leng records has looked to the north east of england for inspiration. lizards is a freshly minted project from newcastle-based twosome lee forster – better known as one third of balearic house combo last waltz, whose impressive releases have appeared on world unknown, futureboogie, endless flight and is it balearic? – and long-time friend james hadfield of nein records’ elizabeth collective.

defined as an independent entity, drawing its inspiration from the deconstructed walls of an imaginary and utopian society where music is king and artist is servant, forsaken cell is a paris and lyon based structure composed of a small ravers community, aimed to show an indie, radical and experimental face of the french underground scene.the third release is the introduction of jiman into the forsaken cell. living near lille, a french city located between berlin and detroit, jiman makes a perfect mixture of those two towns that are his two main influences, focusing on the grainy, harsh, metalic and experimental sound of early 90s techno, with a relish of poetry, smoothness and a slight broken side of idm. his debut ep on the label is composed of 5 tracks that draws on the vinyl groove his long trip into the abyssal deepness of techno music, smelling an uncompromising industrial and raw atmosphere. the artwork, released by lexpo-studio, makes many senses and is opened to many interpretations. this ep is mastered by loop-o at calyx mastering and is available on forsakencell.com.

weval beziehen ihre inspiration nicht aus einem einzelnen musikalischen genre, sondern eher aus einer akkumulation von musik, die sie inspiriert. die ergebnisse zeichnet eine beeindruckend kohärente vision aus, aufnahmen wie das dramatische the battle, der bassknurrer i dont need it oder die trip-saga madness teilen diesselbe dna aus schwungvoller nostalgie, einer schwäche für immersive klangschnitzerei und einer gewissen delle im groove. sie nähren sich auch aus zutiefst persönlichen erfahrungen und stimmungen, wie zum beispiel bei der eindringlichen elektronischen ballade youre mine, dem vorsichtig geschichteten, polaroid-gefärbten just in case oder dem wunderschön gesungenen schlussakt years to build. und manchmal ist es nur ein altes, verstimmtes klavier, das im flur herumsteht: immer wenn ich dran vorbei lief, musste ich darauf herumklimpern, erklärt merijn, also wurde es ein zentraler bestandteil von you made it (part i). kein zweifel: dies ist wevals stärkstes und organischstes material bisher, was durchaus was bedeutet, wenn man das talent bedenkt welches bereits in schmalen, doch gewichtigen portfolio der band steckt.

we are proud to announce a new member to the echocord family, we have signed the super talented tomas rubeck. he is known for his releases on labels like, animal farm, amadeus, fifth interval, telrae and more. based in the midlands (uk) where post industrial decay fringes with an idyllic rural backdrop, it may not be too much of a surprise as to where aspiring artist tomas rubeck takes his lead on inspiration for his music. with an ear for detailed production and a self confessed perfectionist when it comes to sound design and artistic flare, its clear as to why his records seem refreshingly different. his first ep on echocord contains 3 heavy powerfull dubby tracks, all for the dancefloor.

“the earth was incessantly covered in ice, it’s landscape an immense, frozen desert. boulders and sand washed to the valley, crushed under the glaciers’ enormous weight, leaving nothing but the hardest rock behind.” neunau draws inspiration from natural phenomenons, sculpting his indelible and furious expression into materials: a ritual guided only by the rhythm of his own heartbeat. composed exclusively of sounds recorded at the ancient forge museum in bienno, in the middle of one of the largest valleys in the central alps, neunau presents an experience that goes beyond simple listening. his tools — water, iron and microphones — are used to transport the listener through time and place. a true voyage through forgotten ritualism and symbolism, these extracts aim to grind contemporary dance music to its barest essentials, making long-lost times ours again.

record kicks are extremely proud to present one of the hottest new names on the retro soul scene, the tibbs! proceeded by the smashing single next time , the tibbs debut album takin over will hit the streets on may 20. produced by paul willemsen (zuco 103 / lefties soul connection), recorded at the electric monkey studio in amsterdam using only vintage gear and mastered in nashville by soul veteran bob ohlsson (the guy who took care of mastering for many motown hits), takin over is indeed a breath of fresh air! from floor-shaking soul tunes like dog days , get back tuesday and next time , to the deep soul of wild way and funk stormer suffocated , singer elsa bekman - supported by a super tight big band - will impress everybody with her unique raw, gritty vocals that do not fear comparison with big names such as amy winehouse and duffy. based around amsterdam and founded by a bunch of northern-soul and funk disciples, the tibbs started in 2012 taking inspiration from the golden age of soul music. in 2014 they self-released a demo ep and they also released a 45 vinyl on german funk label tramp records. now, after a few exciting years turning heads and spreading soul tunes all around the country - including appearances at the legendary north sea jazz club and a live performances at national radio 6 - the tibbs are finally ready to make their official debut on record kicks. take notice, because the tibbs are the new name to watch!

distorted, acidic, superb hard techno ep w/ 1990s ebm inspiration

tresor records proudly presents the second chapter in mønic’s musical journey on the label. head of osiris music, mønic is an accomplished producer whose style can be defined as raw yet exceptionally refined, allowing for a certain industrial inspiration to ooze from his exquisite sound design. ‘four sides of truth’ opens a conversation between pristenely defined low frequencies and an infinity of fleeting, chirping synth layers. this discussion will continue throughout the record, taking additional drums into the exchange and swirling into ‘point to the sun’ in full panning effect. on the other side, lower frequencies undoubtedly take over and win the argument in ‘self doubt is worthless’. uk-based kamikaze space programme contributes with a revisited version of ‘morse’, initially released on the parsons hill ep. preserving the abrasive textures of the original, ksp dramatically raises the track’s thrilling factor.

ltd 2016 repress , with his first release on co-owned smallville-label lawrence aka peter m. kersten celebrates another tribute to more than 20 years of house music. wether it is the magic sound of nick holder or modern grooves of labelmates like melchior, pronsato and christopher rau- this ep is full of inspiration. beyond the club influences kersten was mainly driven by slow detroit jazz from the early 70ies and classical minimal music which make the colorful taste of this ep. with sorry sun lawrence invites to another adventure into the miracle of a cosy dancefloor letting only the music shine and the people close their eyes and smile. sorry sun, here comes the night.

nice price deal !!! the escape series proudly presents the next slice of wax featuring 4 brilliant artists and their stunning sounds. first up is a fresh cut from the americanborn veteran elbee bad, >supa kewl<. the track draws its energy from a bustling percussive atmosphere, pulling inspiration from the depths of tech, house, and a rich history of musical expertise. carrying the torch further, duererstuben drops another dancefloor-mover titled >tush & harsh<. the track plays just about as you’d expect from its titling, making for an extraordinary dance track full of deep groove and a thick atmosphere to bounce the night away. rising suns takes an afterhour atmosphere and throws is thick groove under it, giving a glorious euphoria as >flying in the wind< turns out to be the perfect title. and finally, freund der famillie crafts a breathtaking journey into dub-tech territory. >grand rue< holds back in its delivery, slowly dripping onto itself and its true, brooding form.

hvnx is a new hivern sub-label focused in concept eps and mini-albums from artists in the label’s orbit. the series will be a platform for more adventurous sounds, with a special accent in techno and hard ware jams. every release will include a photocopied inlay with a mood board of the artists inspiration for that release.

we are in front one of the most vital releases of chaval records discography. the new release of record label based in carabanchel quarter faces a concept that we can not see, but that gives us a lifetime. the force of ki. that energy that emerges from victor santana and hiroshi watanabe the new protagonist of this new installment.

the crossover success of dinamo azari s previous bands raucous, hedonistic, revitalization of classic house - with hits such as reckless (with your love) and hungry for the power - brought game-changing concerts all over the world. after such extensive touring the solo azari returns to toronto for rejuvenation and inspiration on his solo debut.

ltd 2016 repress !!
stuttgarts motor city drum ensemble (aka danillo plessow aka inverse cinematics),presents a superb ep of deep house taking its cues from berlin and detroit. 2008 was a great year for motor city drum ensemble releasing parts one and two of the highly acclaimed raw cuts series which featured heavily in many best of 2008 house music charts. he finished the year with an excellent resident advisor podcast and a set at the resident advisor christmas party. his ‘get slapped up’ release on compost black and ‘breath control’ release on his own four roses label have been in the boxes of taste maker djs and seen him become an in demand producer. danillo is also a part of the inverse cinematics production team who have released on pulver, fuid ounce showcasing his more jazzy, broken beat production style. this debut 2020 release features three superb tracks that take their inspiration from the likes of theo parrish and carl craig as well as the deep house sound of berlin, yet retain the signature mcde sound.

conceived to offer dance-floor friendly techno music, created to conceptually unite rhythm and mathematical theories, rhythmath is back with his third release taking inspiration from the well-known mathematical fibonacci sequence. rhythmath #003 is set represents the audible base of the aforementioned sequence through three swinging, functional but versatile techno tracks appearing onto the usual mathematically-related artwork.

a groove-led production, it relies on a hefty bassline together with crisp percussion and a heady set of pads that will transport you to a higher plain. new york legend jovonn, a previous contributor to the label and an inspiration to apollonia, also lends his talents to reconfiguring ‘sona’. his version works around that gritty, jazz-infused sound

traditional folk music from belgium, performed by swedish youngsters, met by art music with inspiration from the dj-culture. during the fall of 2015, guf (gävleborgs ungdoms folkband) released an album called guf4life where one of its songs got the dj & composer slim vic to react. the rain drenched sounds in the original composition worked as the fundament for two different musical journeys, signed by slim vic. part 1, is a varying composition that take the listener in and out of club music, ambient and the original tracks folk music. part 2, is a very dystopic world of sounds clearly on the border of art music.

pisetzky’s sound comes from a walk through elevated paths, passing through obscure lanes of a mysterious soul. hidden between its urban inspiration, his music expresses a unique vibe that drifts from a dialogue though this inspiring metropolitan nature. shy spirits whisper wistfully synths of a never ending voyage, five alluringly deep tracks that hit their hypnotic impetus as soon as you let them lead their full ambitious course. elevation, born from a collaboration with primal, has been produced in a nordic desolated environment in the outlands of copenaghen.

widely considered one of the hallmarks of dub-infused electronic music, as well as an endless resource of inspiration and awe for generations of electronic music artists and enthusiasts, vibrant forms ii by fluxion is now being reissued by subwax bcn. originally released on mark ernestus and moritz von oswalds revered chain reaction label in 2000, the many calls for a reissue of this cavernous remastered masterpiece has finally been answered by the barcelona imprint.

fat dog records continues its quest to deliver timeless electronic music with this polished four track ep by mark hand. deeply personal and reflective peripherals is a milestone for mark whose previous releases have been championed by the likes of prosumer, soulphiction, session victim, russ gabriel and hunee.-jaded- and -another broken sunday- draw inspiration from detroit capturing the beauty of cosmic techno perfectly. assumptions features samples of marks late father playing saxophone alongside sun ra resulting in a profound and meaningful example of modern jazz fusion whilst the title track peripherals draws the ep to a close with a delicate piece of poignant ambience

inmensamente (immensely) is the first vinyl release by lanoche and the first reference on so unreal, a new vinyl-only label based in madrid. this three-track ep opens with two deep house tracks ( te quiero and extasis ) on the a side and closes with the fourteen-minute-long inmensamente on its b side, an atmospheric lo-fi house composition which the ep takes its name from. lanoche is a project where ambient and experimental sounds converge with atmospheric techno and deep house, finding inspiration in the output of labels like mille plateaux, force inc music works, ~scape, faitiche, mule musiq, soul people music, deepblak, deep explorer, finale sessions, aesthetic audio, smallville, dial / laid, underground quality, plan b recordings, dolly, fxhe, echocord, sistrum, strength music, mojuba or something. with inmensamente , lanoche has produced a rare blend of abstraction, introspection and hedonism, carefully distilled into the enticing notes of an underground club sound.

le loup prowls a lot by night with his bougs, in château d eau area or in some other parisian african districts. the 2 original tracks seek to express the moods of those meanderings in the sweaty clubs and dark bars, where the players and pimps order champagne magnum bottles and dance collé serré against the walls with some hot chicks. forget the eiffel tower and the champs elysées: this is the real underground side of paris. dewalta was just back from an us tour when he started to work on the champagne magnum remix. but one remix was definitely not enough compared to all the inspiration he had absorbed during his travel. he finally offered us 2 champagne magnum remixes: one filled in with the soul of lake michigan, and the other chilled by the cold wind of illinois. 4 tracks for dance, sweat and feed your soul.

spanish dj & producer, eduardo de la calle, has continued to explore the outer limits of the electronic palette since his cadenza records debut back in 2013, clocking up stellar releases for the likes of mule musiq, hivern discs, be as one and nonplus over the last couple of years. eduardo returns to cadenza in february with the ‘anima animus’ single, coupling two tracks of refined techno for your listening pleasure. taking inspiration from the psychologist/philosopher carl jung’s concept of anima and animus (and do take the time to explore this), eduardo marries arpeggiated synths and melodic chords with a soft kick and tantalizing hats, producing a slick piece of reflective techno that’s alive with melody and groove. on ‘north pole’, we get more of the signature ‘de la calle’ sound, subaquatic bass and searing, melancholic strings play out over a steady mechanical beat, nodding its head not only to the detroit masters but also to the european new wave sounds that influenced the motor city artists in the first instance. another assured single release from eduardo that will further solidify his place in the current electronic music landscape.

own existence is a track from i-robots debut album, law of robotics. inspired by asimovs laws the album came out in 2008 and is now providing inspiration for a series of remix releases in the new year.

the prolific keita sano drops four tracks of electro driven machine workouts for turbo capitalism. spanning from chicago inspired bumping bass lines, eerie pad work and full on funk edits.

johannes albert is running a record label since 5 fun years and 20 releases. releasing his own music on vinyl but also his mates stuff. from achterbahn damour to smallpeople via jeremiah, from fred p and lauer remixes back to french youngsters ralph & larry houl. so frank will celebrate this anniversary among life & happiness early 2016 with two twelche inches and a lousy tour. starting with the lamest of all johannes himself to be followed by a bulky rework by oskar offermann. flipside ticks in with heartbreaker phillip lauer and his bottomless love for all things lohret. markus mutzenbacher hailing from würzburg in southern germany a djs dj manages to drop his first track ever. after only 15 years of being a dj. this guy is an inspiration.

jsm&#1025,,,, is a label project from saele valese, a low-key berlin-based artist who draws inspiration from the works of the american photographer francesca woodman. its second records, her eyes are an abyss, comes from hamburg-based music producer spr.

french producer juliano delivers the next ep, entitled * this must be...*, on his own imprint * that place records*. fourth in line on the label, following on from releases from visitors for reworks, mzkbx (aka sacha mambo) and love comedy, the now berlin-based artist gifts his very first ep to the collection. as a dj, juliano has spent the last 13 years honing his craft - first cutting his teeth holding down a residency at l ambassade, and then going on to play all over france and throughout europe. over a decade of digging and spinning has led juliano to develop a refined palette and a knack for finding tunes that make the dance floor bounce. strongly influenced by us house, * panaugust* is a real dance floor killer with its never ending synth. the more emotional * anthem for a friend* is a real tribute, drawing inspiration from chicago and detroit such as the real mess with its special rhythm & blues vibe. finally, cupid mess brings a touch of japanese mood, evoking images of an early-morning rising sun thanks to the classic juno6 sound. julianos ethos is that music should stay fun - preferring to keep things simple, but always real. watch out for this one.

goldmin music label founder romain lanteaume alias einka meets detroit minimalism master terrence dixon aka population one for a truly conceptual techno 12-.. terrence dixon is one of our favorite artists and biggest inspiration.. detroitborn artist released his first 12- back in 1994 followed by several quintessential records and 2 epic albums -from the far future- on legendary berlin-based label tresor. terrence is not only a great techno producer who makes subwoofers roar in clubs, he is a man obsessed by a concept, an idea that he s following from the very beginning.. -minimalism- in the reaaaaal sense of the word.. for example, when thousands producers are wondering what s eventually missing in their new track, terrence is rather wondering what s useless, what could be removed and that s definitely what he gets to share on his own -reduction- imprint. after the release of terrence s track -steve austin s mile- on goldmin theme lp, romain got to meet him in detroit during summer 2014. the aim was to make an abstract record that could still be linked to a feeling or a situation.. a1 the edge track is probably a good example as it s designed and built to make you feel like you get closer and closer to the edge while the track is slowly growing until you fall.. can you feel it? :) as for the other tracks, there is also a special idea behind them but we better let you interpret it your way

rdv5 brings dutchman jamie lie a kwie to the black wax with his minimalistic approach to house. this sound ep includes the track this sound aptly named after the ep along with sneakwow and on a soul trip. niko & kapper are his inspiration and later this year jamie will support tini & the gang. super stuff.

its a very exciting time for soul of hex right now. not only have they hit upon a rich vein of creative inspiration and clearly loving every second of being in the studio making some brilliant music, but the young duo from tijuana also seem to be inadvertently, or maybe purposefully, shaping a fresh new direction for the mexican house scene. taking influences from detroit via berlin, and with a knowledge of house, jazz, funk, soul and disco which goes way beyond their years sebastien vorhaus and 4004 are in the vanguard of this new generation of house producers and are already making their mark worldwide through releases on cvmr, mcde, faces and their own vicario ltd imprint.

since it was very hard to grow musically or in any other artistic way in regard of our surroundings, we always had a need to find inspiration somewhere else. things that were a given for some were far fetched and hard to come by. a distant dream. that s why we decided to go forward. a final push to reach the place we wanted to be. a place we can call home.

with production credits for pan, ppu, and future times, it’s been a busy year for dawit eklund, winding up to this fully-fledged debut on the label he co-founded. litchi juice is funk-laced ‘gully club music’, channelling inspiration from theo and pepe. on the flip, the psychedelic menace of lies are chic is influenced heavily by herbie hancock and tony allen records. ace, warmly recommended.